NOTE: Here’s a graph comparing color spaces (scroll down about halfway). Color space can be set for the Library or the Project. In fact, the system automatically senses the correct color space – 601, 709, 2020 – and configures appropriately. 2020 video displayed on an external monitor. 2020 media requires an external video monitor.įinal Cut 10.3 fully supports Rec.
#CLOSED CAPTIONS FINAL CUT PRO 10.2.3 FULL#
While all current Macs CAN display a more limited representation of this extended video called “P3,” to see the full glory of Rec. However, our computer monitors can’t yet display it. The new 10.3 version of Final Cut and ProRes both support 16-bit video. In general, moving forward, we will probably refer to video as Rec. Some, for instance, just support bigger frame sizes. It describes pixels with a larger image size (“more pixels”), an extended range of gray-scales (“brighter pixels”), and great color saturation (“richer pixels”). 601, which referenced standard-definition video, and Rec. Wide color gamut video is the color space portion of HDR, which is defined by a new video spec called “Rec. We are in a transition phase now – both in technology and terminology.įirst, the terms. HDR (High-Dynamic Range) media is video with an extended gray-scale and color saturation. While this feature looks interesting, I haven’t used it, so I haven’t included it in this article. NOTE: At their announcement this morning, Apple highlighted the new Touch Bar on the MacBook Pro. Within those three categories are literally dozens of changes.įrom my point of view, the interface changes are the most visible, the changes to Roles and the Magnetic Timeline are the most significant and its support for Rec. 2020 video (the color space portion of the HDR spec)
Let me share what I’ve learned.Īpple’s marquee features for the software include: There are lots of new features in this version.
#CLOSED CAPTIONS FINAL CUT PRO 10.2.3 UPGRADE#
Today, Apple released the latest major upgrade to Final Cut Pro X – version 10.3.
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